What’s better than Research? Free-search, of course!

Catalyst Media Design was founded in part on the principal that agencies shouldn’t just be “trying stuff” with their clients’ valuable marketing dollars—that there should always be a foundation of data and research to better steward and predict the investment.

While we subscribe to a great deal of very valuable paid sources—over the years we have found complementing free research, or “free-search” as we like to call it, to bring additional insights for even greater success. Below are a few of our favorite media and marketing resources, many at no cost, to help your brand or business get a leg up, without the arm and a leg:

Want to see what ads your competitors are running? Head on over to Moat:

Moat.com — Moat offers true cross-device cross-platform analytics on trillions of ad impressions and content views to measure and drive attention. Through this site, it’s also possible to review competitors’ digital creatives and messaging. More than 33 billion times daily, Moat measures real time attention analytics and offers complete accuracy on the industry’s most important metrics as well as more than 50 MRC Accredited Metrics. It also offers real-time optimizations and reports so companies can review and adjust their marketing plans.

Trying to decide what keywords to bid on? I spy SpyFu:

SpyFu.com — SpyFu allows users to download competitors’ most profitable keywords and ads for paid and organic search. For example: Type in a domain name, and SpyFu can reveal every place the company has shown up via Google including any keyword they have purchased on Adwords, every organic rank, and every ad variation over the last 13 years. Through the site, SpyFu offers to help connect companies to the domains they are searching, find online and traditional lead methods that can’t be found elsewhere, increase website traffic, track your own keyword rankings on Google, Bing and Yahoo, and make better connections through which to build partnerships and generate sales leads.

Want a down-and-dirty quick report to help you rank higher on Google? Neil Patel is your new BFF:

NeilPatel.com — Neil Patel’s SEO Analyzeroffers a brief free quiz which will “score” your site and determine how much more traffic you could actually be getting. It also offers customized advice to help businesses drive more traffic, get more engagement and rank higher on Google in less than a month. The site can help analyze your SEO and point out SEO errors that can be amended to increase rankings.

Need help coming up with content ideas? Visit Answer the Public:

AnswerThePublic.com — This site allows you to find keywords as well as ideas for your brand and category to help optimize your content. It also features a Search Insight Beginner’s Course to help you use the Search Insight to understand your customers so you can better connect with them through your marketing efforts.

Want advertising insights from the source? No one has their fingers on the pulse of the public quite like the O.G. (that’s Original Google):

ThinkWithGoogle.com — An online powerhouse, Google offers such a wide array of free resources… why not marketing tips? Think with Google providers users with consumer insights, marketing resources such as data analytics and measurement, user experience and design, monetization, programmatic advertising and more to help companies expand their reach.

Looking for a radio station in a new market?:

Radio-Locator.com — Media veterans are well aware of this site. It’s no frills and exactly what you need to connect with stations around the world. This trusted radio search engine has links to more than 15,300 radio stations’ websites. Users can search for stations around the country via city or zip code, call letters or format, and for radio stations around the world by country as well as gain quick access to coverage maps and more.

Your Biz Dev team will love this one. Find contact names and email addresses at Hunter.io:

Hunter.io — By simply entering a domain name, users can receive contact names and email addresses to connect with the right contacts within these companies. The site has more than 200 million email addresses indexed and offers 50 free searches each month to help business development team members connect with those elusive prospects.

Want Data, Data, and more Data on the United States and its citizens? Look no further than the US Census!:

Census.gov — For a nearly endless array of demographics, the United States Census Bureau is certainly a wealth of information. Users can explore data and browse an array of topics including business and economy, age and sex, education, population, income, geography and more. Census survey results are also available on a variety of topics.

Want more? Don’t forget about The Internet itself — Search, search away! There are limitless resources and information via the world wide web. Solid research reports and viable articles are available on sites such as Pew Research, eMarketer, The Interactive Advertising Bureau, 4 A’s, HubSpot,  and ComScore.

Feeling a little disconnected? Back away from the computer and make a Site Visit — When searching for insights into your marketing campaign, don’t underestimate the power of good old-fashioned face-to-face experience. Make a site visit, check out the store, talk to employees, and observe what the customers are like. If your product is on store shelves, do some of your own visual analysis including where the product is sold within the store, positioning on shelves, competitors sold alongside it, category pricing and so forth.

When it comes to advertising and driving business results, there are many benefits to doing your own legwork as well as what can be learned from the myriad of online resources available at your fingertips. A combination of these two as well as expert professional advice can be a powerful trio to take your business to the next level.

Everything I Really Need to Know About Customer Service…I Learned from Metallica

By Kristen Orton, Director of Agency Services at Catalyst Media Design

In March 2019, Metallica announced that they would be the inaugural concert at the brand new Chase Center in San Francisco–and that they would be commemorating the 20th anniversary of their S&M album (a masterpiece of musical collaboration) by having the San Francisco Symphony Orchestra join them again on stage for the full show as well.   For a Metallica fan, this was huge!  Add to that that the concert date, 9/6/19, was just two weeks after a very milestone birthday of mine, and my going was a no-brainer.  I just needed to get tickets.  I set my calendar for the Fan Presale date and time, and prepared myself for the Ticketmaster panic.

If you’re as big a music lover as I am, you know that the purchase process on the Ticketmaster site for a high-demand concert is beyond stressful, with countdown clocks, frequent crashes, and confusing changes to the formatting—I am pretty sure that I lose days off of my life each time I log on to buy tickets.   And while Ticketmaster says it is striving to ensure that the fans–and not ticket resellers–get tickets, their process is pretty consistently flawed.  Still, I knew that for this San Fran show there would be an early Fan Presale, ensuring that first dibs would to the Metallica Fan Club members, and I had no doubt I’d get tix.

On the date of the Fan Presale, I logged on precisely at the on-sale time, then spent a nerve-wracking 30 minutes trying to get tickets.  The Ticketmaster site would go white, and I’d have to log in again.  Then it took me what felt like forever to figure out that, while the ticket limit was 2, the number that had been set in the Ticketmaster system as the default was 0, so for the first few tries I was asking for the Best Available Tickets, Quantity: 0.  I fixed that, but then when I would find 2 tickets and click on them to purchase, they’d suddenly disappear.  Finally, the site just started saying there were no tickets available (except Resale, which were somehow already in the system, minutes later, for $1,300+).

The next day I tried the Chase Card Presale and the same thing happened.  No tickets.  Then the Live Nation Presale.  No dice.  Then I tried to buy at the general public on-sale.  Nothing.  No tickets for me, and no Happy Birthday trip to San Fran.

Out of curiosity, I went to the Metallica Facebook page to see how other fans were faring, and found out that basically NO ONE got tickets.  Disappointed posts were everywhere, and I couldn’t find a single person who had actually gotten tickets or even knew someone who had.  I felt a little better that I wasn’t alone in being unable to purchase, but also felt a bit sad and betrayed. 

Sad and betrayed—why?   And what does this all have to do with customer service and client management?  Well, I expect nothing from Ticketmaster—they have never demonstrated any interest in keeping me as a consumer or in making sure my experience is ever pleasant.  Metallica, on the other hand, has spent years treating me like I’m something special, like I’m an important part of the band and the experience.  I have gotten to meet the band; been lucky enough to see them at an incredibly tiny and intimate venue (again in San Fran); and have been able to enjoy the show front and center thanks to winning a ticket upgrade.  They call their fans “Fifth Members”, and do treat us like we are the fifth member of the band and are as crucial to its survival as the actual 4 musicians.  So when none of the fans seemed to have gotten tickets to the San Fran show, it was pretty surprising.

Well, never fear, and never doubt.  Within two days, the band sent the fans a statement, which included the following:

We’ve heard you and we’ve learned from our missteps with this particular ticket on sale. We’re working to make this right as we are excited to announce that a second show has been added at the Chase Center in San Francisco on Sunday, September 8th. First order of business: No public on sale this time! Tickets for the second S&M² show will be available exclusively to Fifth Members.

A mere couple of days after the ticket debacle, the band had figured out a way to fix it, and one that was way above and beyond.  They acknowledged that the fans were frustrated.  They came up with a solution that would ensure that their core supporters had a fair shot at going to the show.  They didn’t just say, “I’m sorry”—they went out of their way to make it right.

Customer Service the Metallica Way:

  1. Make your customers feel special and appreciated at all times
  2. Cultivate your contact lists (email, social, etc) and foster those relationships, providing relevant content and engaging interactions
  3. Listen to what your customers have to say, and find ways to incorporate these ideas into your business
  4. Let your customers be the first to know when you have something new to share, and offer them exclusives that are just for them
  5. When you screw up:  Admit it, apologize, and come up with a solution that says “I value you and your support”

None of this is revolutionary; in fact, it’s all pretty much Customer Service 101.  But it’s amazing how often businesses and business owners can forget this (I’m looking at you, Ticketmaster), and how much of their time is spent on everything else except nurturing their existing Fan Base.    

There is plenty of proof that this works; most recently, Metallica’s appreciation and support of their fans has taken them to global heights:  Just a week or two after the San Fran show, news broke that Metallica is officially the World’s Biggest Touring Act.  According to Pollstar, “Simply based on numbers from ticket sales across 48 countries, a very popular merch line, impressive record sales, and a worldwide fanbase across multiple generations, Metallica could very well be the biggest band on Earth.”  The San Fran show very much reflected that global reach—it wasn’t just my Scottish friend (Scott the Scot) who was in attendance from overseas; thousands of fans from around the world held up their countries’ flags during the concert to show who they were and how far they had traveled to be a part of it all. 

Final takeaway:  Your customers are your biggest fans, and without them, your business would not survive. 

As Seen on (DR)TV

As Seen on DRTV

by Stacey Sheahan, Senior Media Planner/Buyer and DRTV Specialist at Catalyst Media Design

For many people, Direct Response Television, or DRTV, conjures up images of knives cutting through tin cans, tough stains disappearing with just a few sprinkles of a miracle product, or celebrities promoting their own lines of fitness equipment or beauty treatments. These spots may also include time-sensitive, hard-sell tactics, like “But wait, there’s more!”, or “Call now and receive a second one absolutely free!”, with the products only available through these direct sale channels.

While that may have been how DRTV started, the Internet has played a large part in changing its face and use, blurring the lines between direct-to-consumer and retail sales, reshaping the industry in the process. DRTV started as a direct-sales approach in the 1980s, gained steam as a paid media buying tactic in the 1990s, and has gone on to become an effective outlet to build awareness for a variety of companies and brands today, while still offering measurable sales. Today’s DRTV is highly evolved: capable and efficient, it’s a great tactic for small businesses or companies with a limited budget—a cost-effective way to reach a large television audience.

While traditional TV is generally purchased by a program or a set daypart such as “Prime Time,” DRTV is purchased using broader periods of time, requiring advertisers to be more flexible on when their commercials air. This flexibility is rewarded with spot rates typically 60 to 75 percent less than traditionally purchased television advertising. Many stations offer this lower-cost advertising option to help sell out available inventory, benefitting both the station and advertiser.

The purpose of a DRTV commercial is to provide information about a product or service and drive immediate response. Most DRTV spots include a strong call to action to ensure high response. DRTV commercials are also required by the television stations to include a response mechanism such as a phone number or website. Phone numbers and URLs are generally unique to each station or network to ensure performance tracking.

DRTV is further distinguished by spot length. “Short-form” refers to commercials under two minutes in length (60-second and 120-second spots are typical), while “long-form” refers to a spot longer than two minutes and can include the popular “30-minute infomercials.” These longer length spots are generally utilized when there is a great deal of education required in selling a product and/or the price point is high. Long-form advertisers sometimes convert to short-form when their products have achieved a level of brand awareness and no longer require the time needed for extended explanation.

Regardless of chosen length, a DRTV commercial may be purchased at a national or local level, on broadcast stations and cable as well as syndicated programming. The majority of stations and networks accept DRTV advertising. Buying strategies also differ when it comes to DRTV advertising; for example, a buyer can purchase DRTV direct from the station or network from the overall commercial rate card, which includes lower rates for spots purchased specifically as DRTV, or the buyer can purchase “remnant” inventory, which is available at an even lower rate but is more likely to be “pre-empted” or bumped out if a higher-paying advertiser comes along.

DRTV buys are measured based on response, not on Gross Rating Points (GRPs) like Traditional TV. Each advertiser has their own individual response, sales, and media efficiency goals, and their DRTV campaign is optimized toward those set goals.

At Catalyst Media Design, we have a detailed strategy for how we plan, buy, and optimize DRTV for our clients. First, we discuss and confirm the parameters of the campaign with each client, including target audience, target geography, budget, campaign goals, spot length, and additional factors as needed. If the target is broad, national coverage is considered. If the target is in local markets, we’ll only review local buying options.

Our media team reviews the target audience (demographic) for the product or service and then determines which stations or networks and time periods should be included. For example, if the company has an older target demographic, we may recommend news programming; for a male-skewing target, we may suggest ESPN. Schedules are then built and presented to clients for review. Upon approval, our buying team negotiates with the stations to ensure each client receives the lowest rates and best placements, using traditional ratings data along with past response data for the brand or category, if available.

We also work with each client and production team to employ proper tracking mechanisms to ensure the spot qualifies for DRTV buying and will provide response and performance data. Once the buys are placed, our buyers monitor clearance daily. Spots that are pre-empted are reallocated where possible. We also utilize dedicated tracking software to track spot times as well as response times—including calls, web leads, and more to produce a Cost Per Call (CPC). We then make adjustments to lower the CPC ongoing, such as shifting stations, dayparts, creative/ads, and even markets.

Another area we track and measure is dubbed the “halo effect,” referring to the effect DRTV spots have on other media channels, including increases in web traffic, click-through rates on digital campaigns, response rates on direct mail pieces and more. We believe that DRTV schedules should be constantly evolving and changing based on performance to maximize clients’ ROI.

In a time when the media landscape is highly fragmented and budgets have shifted toward digital, DRTV remains an effective, efficient, and trackable channel for brands small and large. If your brand is seeking direct leads and sales, a cost-efficient way to increase awareness, and an effective approach to utilizing additional media channels, DRTV may be exactly what you need.

The Importance of a Media Planner

The Importance of a Media Planner

Our very own Media Planner, Vanessa Shipley, discusses why it’s important to utilize a Media Planner to craft a solid marketing campaign.

The Importance of a Media Planner
By Vanessa Shipley

Traditional and digital advertising is a massive industry that can be overwhelming for a business to navigate—particularly when advertising sales representatives come highly equipped with an arsenal of data to convince you that their advertising outlet is the best way to reach potential customers. It may well be, but can be difficult for someone not well versed in advertising analytics to effectively determine. That’s where working with a media planner can be highly beneficial.

The first thing is understanding what exactly media planners do and how they can help a brand make the most of their advertising budget. Media planners are highly educated and trained to help brands reach their intended target audiences and achieve their marketing goals through paid advertising campaigns. They gather information from media suppliers such as radio and television stations, out of home companies, print publications, websites and digital networks. This information is combined with other relevant sources such as local market surveys, ratings data, advertising trends, and prior knowledge of the industry to create a strategic media recommendation that maps back to the client’s overall marketing objectives and campaign goals.

Over the past decade, our team has developed a proven media planning process that continues to deliver measurable results for our clients time and again. The process is effective because it’s individualized, not only for the brand, but also for the specific campaign. For each campaign that is developed, our team creates a customized media planning timeline to encompass the six phases of the process:

Media Planning Process

This process begins with our team gathering and analyzing information relevant to the campaign including client-provided as well as syndicated, third party data. From there, the planning parameters for the campaign are defined and confirmed with the client. This includes target audience, geography, budget, timing/seasonality, and creative considerations. From there we define the media objectives and strategies for the campaign-essentially what are we trying to accomplish with this budget and how are we going to do it. The next phase is where our team recommends the media mix, i.e. which media types should be included in the plan. Once approved, we move on to media tactics—the details of the plan including specific media suppliers, flighting, negotiated rates, etc. The plan is then presented in a visual format—the media flowchart—for final approval.

Our process is also quite interactive, including the participation and approval of the client before moving forward to each next phase. Ample time is built in to allow the planning team time to do their diligence as well as for the client to review and secure the necessary buy-in from their team before we move forward. Also included in the process is sufficient time for our planning team to strategically negotiate rates, ratings, and placements, including added value, on behalf of the client. The traffic team is also working alongside the planners to create a production timeline and deliver all necessary mechanical specs and deadline information to the client or the team in charge of producing ads for the campaign. All teams work in harmony to deliver a plan on time and on spec. Because the client is approving each stage along the way, the end result is a thoughtful, strategic plan ready for implementation. Time is not wasted going back to the drawing board because the client’s budget or some other parameter has changed along the way and was not communicated to the agency, or a stakeholder on the client’s team had not been able to review the plan prior to delivery.

A thoughtful process and solid, resulting media plan are a great start, however alone cannot ensure success. There are many integral pieces that work together to achieve an effective ad campaign that garners real, measurable results for a client. A strong media plan must be executed with a solid creative message and compelling artwork. For example, a client can have the most eye-catching and captivating ad campaign, but if it doesn’t land in front of the right eyes at the right time, then results are likely to fall flat. Conversely, without compelling creative messaging, even the best-laid media plan can deliver less-than-desirable results. The consumer’s sales experience must also be well thought through to ensure maximum engagement and conversion. These things working together in tandem will bring measurable results.

Much like the importance of location in real estate, and timing in life, getting your message in front of the right people at the right time is essential to success in advertising. Without a seasoned media planner to identify the best options, much of a brand’s marketing budget can be wasted. Working with an expert will bring a greater understanding of the target audience, a more strategic plan, and ultimately greater results. The paid media investment is generally the largest within the overall marketing budget—don’t understate the value of media planning and its role to ensure that your brand receives the highest possible return on investment.

Employee Spotlight: Edie Klein, Traffic Supervisor

Employee Spotlight: Edie Klein, Traffic Supervisor


What do you enjoy about the role of Traffic Supervisor?

EK: It’s like working on a giant puzzle. You have all the pieces in front of you and you have to figure out which one goes where and when, until everything has been completed.

What keeps you inspired? Do you have a favorite story about what brought you to the world of media?

EK: What keeps me inspired is a story from when I was in 6th grade. My teacher gave the class hard plastic shapes that we had to make into a square. The first person to complete the assignment would receive an A for the day. I completed it before anyone else in the class, and when I told him I was done, he said he knew I would be the first to finish because I was the only one that didn’t give up. I’ve carried that with me all these years, no matter what I have encountered in my career, I just keep trying because I know I will figure it out.

There are so many details involved in the role of Traffic Supervisor. What would you say in the most important characteristic that you bring to the job?

EK: You have to be a detective. You have to figure out what vendors or clients are asking for and make sure you are executing the requests properly. Because if the media doesn’t run, everyone’s hard work was for nothing.

You have a new line of Jewelry you created! You just launched an Etsy site last month to sell your pieces. Where/when did this passion start and what do love most about this outlet?

EK: When I was in college, DIY crafting shows were just starting to air on TV. I loved to watch them in between my classes and dream of the things I would make “when I was out in the real world”. The jewelry segments were always my favorite. In 2003, one of my co-workers was making a necklace during her lunch break. I asked her if she could show me how to do it and after that one lesson, I was hooked. Making jewelry provides me the opportunity to explore different patterns and I love the challenge of finding just the right components to put together to create something unique.

What’s something about you that very few people know?

EK: I’m the youngest of four siblings, but only by one minute. Growing up my twin brother loved to remind me of that every day.

What’s your favorite thing to do away from work?

EK: Besides working on my jewelry, I love to spend time with my family. I have a 6-year-old daughter and she is hilarious! She has quite the imagination and I love to watch her play, sing and act out her own movies. My husband and I also love to take my daughter camping up North. It is so amazing that we can drive an hour away and be in a completely different landscape.

Have you traveled to any fun places lately?

EK: We took a trip this summer to the Mogollon Rim and camped at Woods Canyon Lake. We were able to do some hiking, watch the fish jumping in the lake and teasing all the fisherman, tell scary stories around the campfire, and saw an Osprey swoop down and catch a fish right from the water.

If you had to describe yourself as a beverage, what would it be and why?

EK: I would be a 7-UP. I’m always there to help you out when you’re not feeling your best.

What would you consider your best trait?

EK: My attention to detail. I try to make sure what I put out into the world is my best effort no matter if it is something personal or work related.

The Value of Creative Rotation – By Katie Terrazas

Varying creative visuals and messaging may appear to be one of the simplest ways to target the right audience with the right message for an advertising campaign. However, it’s not as easy as it sounds Read more

EMPLOYEE SPOTLIGHT: Jennifer Torres

Q&A WITH CMD ACCOUNT MANAGER JENNIFER TORRES

 

What do you love about the Account Management role?

I love the ability to service multiple clients and ensure that their objectives are being met, while also managing my team and setting them up for success.

 

If you had to describe yourself as a beverage, what would it be and why?

If I had to describe myself as a beverage, I would choose coffee – not only because I am a coffee fanatic, but it also describes my personality. I am a morning person with tons of energy who loves to keep the people around me happy, energized and motivated to make them the best they can be.

 

Do you have any hobbies or things you are deeply passionate about?

I am passionate about being active and trying new activities that push me out of my comfort zone.

 

What’s your favorite thing to do away from work?

I love cooking and all things food related. Whether that’s making new recipes, watching cooking shows, or trying new restaurants around town.

Catalyst Media Design Expands Office and Client Roster

Growing Media Firm Signs Wet ‘n’ Wild Las Vegas, American Vision Partners and Delta Dental, Moves into New 5,000-Square Foot Space

PHOENIX (May 2018) – Catalyst Media Design (CMD), the Southwest’s top ranked media agency, recently signed three new clients, moved into a larger office and launched a new website as part of the Scottsdale-based firm’s next chapter.

“We’ve seen our industry, and the way people choose to connect with brands, change significantly the past five to seven years, explained Catalyst Media Design CEO Liz Scott. “What hasn’t changed is the fact our success is directly connected to the success of our clients. For us, that translates to placing a continued emphasis on research and making ongoing investments in tools and resources that will help our clients make deeper, more impactful connections with their current and potential customers.”

The investment is paying off as the firm recently signed more than $3 Million in new work for three leading clients in the healthcare and entertainment sector.

Wet ‘n’ Wild Las Vegas

Wet ‘n’ Wild Las Vegas has retained Catalyst Media Design to provide digital planning and placement for its thriving, family-friendly waterpark. Wet ‘n’ Wild Las Vegas has more than 26 attractions on 27 acres just minutes from downtown Las Vegas. Rides range from relaxing and kid-friendly to more exhilarating rides for adrenaline junkies. CMD’s efforts for Wet ‘n’ Wild will reach local individuals and families as well as the more than 39 million tourists visiting Las Vegas each year.

“Catalyst understands that we need to reach local families in Las Vegas and surrounding communities to help them understand all that Wet ‘n’ Wild Las Vegas offers,” shared Lindy Frye, Wet ‘n’ Wild Las Vegas Marketing Manager. “We’re delighted that they dove in quickly to find the most effective ways to reach the most people within our budgets and timelines through a variety of digital platforms.”

American Vision Partners (Southwestern Eye Center & Barnet Dulaney Perkins Eye Center)

Southwestern Eye Center and Barnet Dulaney Perkins Eye Center recently became part of the American Vision Partners network, and have selected Catalyst Media Design to handle the offline media for both brands.

Southwestern Eye Center and Barnet Dulaney Perkins Eye Center are regional leaders in optometry and ophthalmology services including LASIK, and many of their highly-skilled doctors have additional advanced training for subspecialty procedures such as vitreoretinal disease, oculoplastics, cornea disease, glaucoma, refractive procedures, low vision aids and ocular prosthetics.

Catalyst Media Design will manage budgets for both brands in 40 locations across Arizona and New Mexico.

“We’re grateful for our partnership with Catalyst Media Design. They stay on top of the latest channels including digital, social and non-traditional media, as well as researching and bringing to the table new and creative placements,” explained Darla Espinosa, Director of Marketing, American Vision Partners. “They’ve become a true extension of our marketing team, and with their expertise and careful attention to detail, ensure that we continue to maximize our paid media investment.”

Delta Dental

CMD also just began work with Delta Dental, the nation’s largest and most trusted dental benefits carrier this May. The agency has partnered with Anderson Direct & Digital based in California on this business and will provide Direct Response broadcast media in addition to Digital Display media for the 13-state member company.

Delta Dental focuses on making dental coverage more accessible and affordable to a wide variety of employers, groups and individuals across the U.S.

“Catalyst is one of the best media companies I have ever worked with,” said Scott Hopkins, Executive Vice President, Anderson Direct & Digital. “I am a 31-year veteran of the Direct and Digital marketing agency business and Catalyst is one of the only media agencies who truly understands marketing ROI. They combine the latest in technology and research along with media best practices to always deliver strategic media campaigns the generate results.”

He added, “Most importantly, they always have their clients best interest at heart and are a great group of humans who are a pleasure work with.”

Expanded Offices and New Website

The growing firm also recently signed a four-year lease on a nearly 5,000-square-foot space in Downtown Scottsdale. Previously the firm was in a 2,843-square foot space near Scottsdale Road and Indian School. CMD was originally in the same building from 2012-2014, but now return to a space five times the size, signifying their tremendous growth the past five years.

“The entire building has been renovated inside and out to create the perfect environment for our team to continue growing,” shared Scott. “It includes delightful shared spaces, endless courtyard seating, tenant lounge with complimentary specialty coffee – even bikes our team can check out to ride around scenic downtown Scottsdale.”

CMD also launched a new website to reflect their vision for the next ten years of managed growth that matches the strategic growth of their clients.

“We take a longer view of our agency’s success – no shortcuts – rather maintaining an equal pace with our growth and success, as that of our clients,” explained Scott. “The new website also demonstrates that partnership is more than a buzz word for us. Rather, we think of partnership as becoming a true extension of client’s business…and know that makes all the difference.”

To learn more about Catalyst Media Design and their expertise in traditional, digital, social and experiential media strategy, planning and buying visit catalystmediadesign.com or follow on its various social media channels.

Facebook: https://www.facebook.com/CatalystMediaDesign
Twitter: @CatalystNow
LinkedIn: https://www.linkedin.com/company/catalyst-media-design/

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About Catalyst Media Design

Catalyst Media Design is a full service, strategic media research, planning, and buying agency. With the most comprehensive team of experienced planners, buyers, account managers, business management and support staff, their cross-capable experts ensure delivery of the most efficient and effective media campaigns for maximum return on each client’s investment. The firm offers a full spectrum of media services, including the planning and placement of Television, Radio, Print, Outdoor, Digital, Multi-Cultural, Promotions, Direct Response, and Non-Traditional Media. Clients include a diverse mix of regional and national clients. The company is led by CEO Liz Scott. Learn more at catalystmediadesign.com.